WWW: good attempt to include narrative/audience/political theory.
EBI: Q3/NDM could have contextualised the impact of the internet - quotes from theorists and your own evaluative conclusion.
Question 3:
Do you think that official and unofficial websites contribute to a film’s box office success? You should refer to other media products to support your answer.
Some
may argue that official websites contribute to a film's box office success, as
it gives the audience an insight of the film. For instance, the official
website for the Hollywood block buster Eclipse includes a variety of features
such as, the trailer, downloadable photos, an online store and a community link
to social networking sites. This would be significant in promoting the film to
their target audience, as the different features allows the individuals to
actively interact and to feel more involved with the film. Significantly, the Eclipse
website sells a range of merchandises for its fans which also contributes to
the film’s box office success, as fans of this franchise are more likely to
purchase an item and watch the film.
In
comparison to the official website for the film Let the Right One, Eclipse
includes a link to social networking sites such as Facebook, YouTube and
Twitter. This would be fundamentally important in promoting the film further to
the audience globally, as individuals can be actively involved with the film
through following the cast on Twitter or posting messages virally to their
friends, which encourages more people to watch it. According to Pluralists, this
establishes that the audience are no longer passive consumers of texts, but are
now distributors as well through the development of technology. The emergence
new smartphones, tablets and social networking sites, has given individuals the
opportunities to distribute their own media products. As a result, this
highlights that official websites does contribute a film’s box office success,
as it can build a fan base which makes the audience feel more connecting to the
stars and creates a peer to peer marketing.
Additionally,
official websites also contributes to a film’s box office success by showing
trailers. Through the use of synergy, Eclipse and Let the Right One contain official
trailers which would certainly be beneficial in giving the audience a better insight
of the narrative. In relation to Katz and Blulmer uses and gratification theory,
both of the trailers may give some of the audience a sense of escapism as they
can divert from their everyday routine and feel entertained with the narrative.
On the other hand, from watch the trailers others may identify with the certain
characters and form a personal relationship. As a result, this establishes that
trailers included on official and unofficial websites would promote the film
further, as the audience are more likely to watch it if they have been
intrigued by the narrative.
In
relation to this point, using Stuart Hall’s encoding and decoding model the
audience can actively interpret the messages being promoted in the film
trailers. As a result, if the trailer fits the audience’s needs they are more
likely to watch the film which would increase its revenue in the box office. Moreover,
the British low budget film Ill Manors is another example in showing that official
websites contributes to a movie’s success in the box office. Ill Manors was a low
budget film and their promotion strategies did not work well through
traditional media and therefore using social media helped to promote to the
film further. The official website included the trailer, links to social
networking sites for individuals to stay connected with the stars and also to
download Plan B’s songs or album. All these factors contributed to the film’s
success, as the audience and fans of Plan B would be fully entertained with the
content.
Similarly,
the official website for the Hollywood blockbuster The Dark Knight Rises
provided their target audience with a great amount of features. The fact that
the website included a teaser trailer contributed to the film’s success, as
fans of the trilogy would be more eager to watch the film. However, it can be
argued that official websites no longer help a film’s box office success
because people can watch the film trailer through YouTube. Thus they no longer
need to visit the film’s official website and they can receive exclusive
information though unofficial website.
Furthermore,
unofficial websites are less influential on a film’s box office success
compared to official websites as could provide links to illegal downloading. As
a result, this could risk ruining the films brand image in the industry and the
company may lose profit. Notably, as unofficial websites are not controlled by
the distributor there could be a high chance of inaccurate information about
the film or biased views about it. Thus this may put off some people from watching
the film if they do not like the reviews and therefore this would damage the
film’s success.
Overall, it can be concluded that official websites contribute to a film's success to a greater extent compared to unofficial websites. This is because, official websites includes more interactive features for their audience and update instant information about the film. The fact that the film distributor controls the website is beneficial, as they can avoid any inaccurate information which is not regulated on unofficial websites. As a result, all these factors contribute to an increase of a film's success in the box office.
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